My wife, Rachel, found this fantastic video of a live orchestral film scoring session on YouTube. It’s a 2.5 hour film done @ Air Studios in London, England. Very inspiring to see how things are done at this level of professionalism, expertise and excellence.

Thanks to Christian Henson and Spitfire audio for making this available for all of us to see. Very cool, indeed!

There were a number of things that I took away from the 2019 Spring Concert, but perhaps the biggest thing I learned was the importance of rehearsing with the full system set up for more than one day. I think the ideal amount of time would have been about a week.

I did rehearse every day over the last month and a half, but always sitting down, without microphones/PA and playing at lower volume levels. Also, it wasn’t until the day before the concert that I had Ableton Live completely configured (audio files, MIDI mappings, sound patches, virtual instruments, etc). Up until then I was practicing with Logic Pro X – the app that I did all the production in.

Other things that I learned:

• Really need to use chains in Live to switch between virtual instruments as selecting the desired track via MIDI mapping for MIDI controller focus wasn’t always reliable.
• Use audio stems instead of “minus 1” tracks next time. Would be nice to have more isolation of tracks in the future (particularly synth basses and drums).
• Should coordinate visuals better. This time was more like a proof of concept. Going forward I’d like to have them tailored to each song in Final Cut Pro and then triggered in Live, which could take a considerable amount of time to do. Need to allot for that. Perhaps 2 weeks or more?
• Would be great to have extra time with everything set up to get extra footage for song videos (e.g. multiple passes of each song during the rehearsals, close ups of the gear/lighting, abstract images, etc.)
• Clip for one of mics I planned on using was missing. Ended up using a condenser mic with a mic pre, which sounded totally different.
• Both mic stands kept drifting downward when positioned over the keyboard. Need to repair or replace them.
• Performing with mic stand positions (especially when singing while playing keyboards) was awkward at times.
• Disable notifications on my laptop!

Most importantly, having the extra time to rehearse will make it easier for me to get into the flow of the music.

Things that worked:

• Practicing the songs regularly was a win for being prepared musically.
• Using Ableton Live worked pretty much the way that I hoped it would.
• The equipment set up and layout of the room was really good.
• The contour of the concert provided a nice variety of styles.
• Visuals added a lot of depth and dimension to the feeling of the space.
• Using Guitar Rig for performance worked really well for maintaining balance of volume between instruments (vs using an external guitar amp).

Here’s a beautiful painting of the layout of the room that my wife made. I think it’s fantastic!

One of the things that I was hoping to do during the first quarter of this year was to continue my studies while making an album (and preparing to perform said album) for our 2019 Spring Equinox Concert. I estimated all the timelines needed for studies, pre-production, production, editing, mixing, concert prep and setup. I thought I had a reasonable plan.

I had a good run for most of the quarter, maintaining a daily study schedule of ~4 hours a day with ~4-5 hours of production/prep all throughout January and February. It felt really good to be making progress in so many areas on a daily basis.

That was until the beginning of March when I realized that I had exceeded the amount of time that I had allotted for pre-production and production. I was supposed to be editing and mixing when a majority of the songs were nowhere near being ready. I had a strong feeling that I could get everything done if I abandoned the study regimen.

So that’s what I did. Throughout March, I focused 100% on the production/editing/mixing of the songs with some concert prep along the way. This went on until the _very_ early morning of the Spring Equinox (3/23). I met my deadline, all the songs were finished but at the cost of not meeting my goals for other areas of development.

Looking to the future, I hope to return to my days of studies _and_ production. This time allowing more leeway for production either in the number of songs or as to when I expect them to be done. Perhaps I will spread things out over two quarters. One being dedicated to writing and pre-production of the songs with a concert of the stripped down/basic versions. The other being focused on production/editing/mixing and concert of the fully arranged songs. As of now this approach seems reasonable, then again I thought the plan for this past quarter was reasonable… We’ll have to try and see what happens!